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Choose the Appropriate Letter to Identify the Main Idea Implied

question 6

Multiple Choice

Choose the appropriate letter to identify the main idea implied by the paragraph. In the 1804 duel between Aaron Burr and Alexander Hamilton, historians have generally sided with Hamilton and painted Burr as the villain.They have, for example, taken Hamilton's word for it that he felt "no ill-will" toward Burr.They have also taken on faith claims that Hamilton never intended to fire his gun.Yet all accounts of the years-long political feud show that Hamilton insulted Burr both personally and politically.The former is what's important because nineteenth-century duels were not supposed to be fought for political reasons; they were supposedto be a last resort response to personal rather than professional insults.It's important to note, too, that right before the duel began, Hamilton asked for a brief delay.When the delay was granted, Hamilton pulled out his glasses and squinted into the sun's glare, lifted his pistol, and took aim at a distant target.This is hardly the behavior of a man intent on holding his fire.When the signal was given, two shots rang out, and Burr, despite newspaper accounts to the contrary, seemed deeply disturbed that his bullet had found its mark.As he was being led away by his companions, Burr tried to turn back, saying "I must go and speak to him," but his companions hurried him along.Although this does not seem the behavior of a man delighted by his enemy's death, this is still the portrait conveyed by newspaper accounts at the time.It is also the portrait that has passed into history.
(Source of information: Joseph Ellis, Founding Brothers.New York: Alfred A.Knopf, 2001, pp.22-28.)
Implied Main Idea


Definitions:

Brutality

The cruel and violent treatment of a person or animal.

Blaxploitation

Exploitation films, popular in the early 1970s, featuring African American actors and themes.

Low-budget Genre

A category of films characterized by limited production costs, often leading to innovative storytelling and filmmaking techniques.

Subjective First-person

A narrative or visual perspective in film where the audience experiences the story through the eyes or perspective of a character, making the experience more personal and immersive.

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