Playwrights May Use an Early Point of Attack or a Late

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The Answer is Early point of attack and late point of attack refer to the timing at which a play's central conflict is introduced. An early point of attack means that the conflict is introduced early in the play, often in the first act or even the first scene. On the other hand, a late point of attack means that the conflict is introduced later in the play, often in the second or third act.

The choice between an early or late point of attack can have a significant impact on the play's structure and the audience's experience.

In a play with an early point of attack, the conflict is established quickly, allowing the audience to become immediately engaged in the story. This can create a sense of urgency and tension from the beginning, as the audience is immediately aware of the central problem or dilemma facing the characters. The structure of the play may be more focused on the development and resolution of the conflict, with the early introduction allowing for a more in-depth exploration of the characters' motivations and actions.

On the other hand, a play with a late point of attack may spend more time establishing the characters and their relationships before introducing the central conflict. This can create a slower build-up of tension and anticipation, as the audience becomes invested in the characters before the conflict arises. The structure of the play may involve a more gradual escalation of the conflict, leading to a more dramatic and impactful climax when the conflict finally comes to a head.

Ultimately, the choice between an early or late point of attack can significantly impact the pacing, tension, and emotional impact of a play. Both approaches have their own strengths and can be effective in different contexts, depending on the specific goals and themes of the play.

Playwrights May Use an Early Point of Attack or a Late

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